Rather than reading the poetry of Anna Akhmatova as discrete entities, Sarah Krive shares her experience reading them as they once were, situated in journals, newspapers, and small anthologies of their original publication. She wants to see how they appeared on the page, what other texts and images surrounded them. Remediating is a way of trying to understand, in part, “crucial cultural information about how different components of the periodical’s readership were intended to interact with its content.”